This is the first guest post ever on Spellbound! Friend Ana Roland celebrates about her favorite actress Sônia Braga.
This is the first guest post ever on Spellbound! Friend Ana Roland celebrates about her favorite actress Sônia Braga.
You’ve a chance to win Flicker Alley’s new release EARLY WOMEN FILMMAKERS!
When I caught up with FEUD (2017), I was delighted to catch John Waters’ cameo.
“I did this show called TRAILBLAZING WOMEN, and the biggest thing I’ve learned in two years of doing the show is that men write their history and that’s why they’re remembered more than women. Cecil B. DeMille made sure to write everything down, but all the other women that were working at the same time…
Last night I watched The Notorious Bettie Page (2005) because it was her birthday. Gretchen Mol does a great job in embodying Bettie, which took guts. Mol had to know what scrutiny she’d be under to look like the famous model, replicate her ease and joy in posing, and radiate a personality that made much of…
When refreshing about Anita Loos for my post on the writer, I stumbled across a reference in Pamela Hutchinson‘s excellent silent film column Silent but Deadly! about a casting that almost was–Louise Brooks as Dorothy Shaw. Louise was the studio’s choice to appear in the first screen adaptation of Gentlemen Prefer Blondes (1928). If she had been cast,…
During my recent blogging hiatus, I took a movie-watching pledge that’s perfect to share with you during March, which is Women’s History Month. I pledged to watch 52 Films By Women. I’m watching at least one film directed by a woman a week. I started fulfilling my pledge in January. I’m not alone in joining the…
https://youtu.be/iiaalMV0xi0 As an Easter treat, here’s the delightfully magical silent short Les oeufs de Pâques. The film was written and directed by Segundo de Chomón for Pathé Frères. A contemporary of Georges Méliès, de Chomón was often compared to the other director due to their work in trick films, but the Spanish director would go on to…
Contemporary silent film Claire frames a story of longings once impossible inside a loose adaptation of a Japanese fairy tale. The movie quietly champions the themes of acceptance, fatherhood, and families of choice. The methods used to depict this tale are strictly early twentieth century, and the images they make are a dream-like mix of the quotidian and the mystical. All…