Who is Filibus? asks an advertisement for this steampunkish crime caper. Which of these many faces is the true Filibus?
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At the MARY QUEEN OF SCOTS London premiere, Margot Robbie exhibited savvy about the impact of red carpet style as costume.
Dita Von Teese tells how Technicolor movies influenced her look.
Let’s fight the Monday Mehs together! Scott Bradlee’s Postmodern Jukebox will bring a smile to anyone’s face.
In CHICAGO a girl gunner gets priority in print over her victim. The same happened in real life.
Get the scoop on Flicker Alley’s BEHIND THE DOOR (1919) contest!
What a great night it was! My first red carpet went well.
When I watch FEUD, I’ll be paying particular attention to one area of costuming.
Living in a former movie theatre, it was the architecture of the place that connected my home to its former function–until this week. This week I went up into my attic, the former projection booth, to see how its roof has been holding up under the recent barrage of rain. My landlord was too good at…
THE JAPAN TIMES published a good article on how mainstream cinema virtually ignored punk. Those kind of pieces always prompt someone to name films missed. This time that someone was I! I noticed a lack of female-centric films on the list. I would’ve added proto-riot grrrl flicks TIMES SQUARE (1980) and LADIES AND GENTLEMEN, THE FABULOUS STAINS (1982)….
