At the end of my previous post about TCM Classic Film Festival (TCMFF) fan buttons, I promised you an interview with an entrepreneurial artist and classic film fan. Here is is! In covering TCMFF…
As part of my coverage of the 2016 TCM Classic Film Festival (which I’ll abbreviate to TCMFF from hereon), I’m debuting a new feature for my blog–The Road to #TCMFF 2016. Pieces in the…
When watching Debra Paget, For Example (2015) and seeing clips of the actress’s work, I was struck by the beautiful colors and dramatic shots that could be found in many of her films, which I…
Beautiful, classic film era actress Debra Paget never quite became an A-list star. Despite being in some high profile films, she was mostly relegated to genre roles, usually playing exotic parts and often wearing…
This week has been like Christmas to me! I’ve been more excited than Ralphie discovering that last obsessively desired present–his official Red Ryder, carbine action, two-hundred shot range model air rifle–hidden behind a desk. I…
“In a dull, miserable existence her one wild extravagance was her weekly orgy at the cinema, where for over two hours she lived in an enchanted world peopled by beautiful women, handsome heroes, fascinating…
When refreshing about Anita Loos for my post on the writer, I stumbled across a reference in Pamela Hutchinson’s excellent silent film column Silent but Deadly! about a casting that almost was–Louise Brooks as Dorothy Shaw.
Louise…
For International Women’s Day, let’s take a moment to remember a woman of words, Anita Loos.
She started screenwriting in the silent era, and she’s credited for elevating the intertitle beyond the functional into an art form….
What else was I up to during my winter blogging hiatus? My most initially time-consuming movie project outside of Spellbound involves Twitter. After articles from Vanity Fair, The Atlantic, and Variety bemoaned the lack of women film…
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