My San Francisco Silent Film Festival preview was interrupted due to being felled by a bug, but I want to mention a surefire hit of the fest screening today–Colleen Moore in Why Be Good? (1929).
[caption id=”attachment_3229″…
Saturday morning’s program starts with the family-friendly Speedy (1928), and some parents likely will bring their tots for an outing to this…
Saturday’s post was the start of my San Francisco Silent Film Festival coverage. I’m happy to announce Spellbound by Movies has received official press accreditation to the festival! In the coming days, look to this…
I’ve been planning a post on The Tin Man for a while, and the For Love of Film: The Film Preservation Blogathon has provided the…
As part of my preparation for the San Francisco Silent Film Festival, I renewed my membership to it. As a film fanatic with a particular passion for silents, I recognize that many of the specialty…
“You know that scene in Rebecca when Joan Fontaine is exploring the room where everything is monogrammed “Rebecca,” and George Sanders just appears in the window? It’s a ground-floor room, and he’s sitting in…
Yesterday I wanted some background noise TV, but when I turned it on an error message popped up on my screen, and that led me to contacting cable support, who worked me through a…
In advance of my write-up of Cinefest 35, I’ve curated an account of the Syracuse Cinephile Society’s final film festival from my and other attendees’ social media postings. You can read our shared excitement…
As an Easter treat, here’s the delightfully magical silent short Les oeufs de Pâques. The film was written and directed by Segundo de Chomón for Pathé Frères. A contemporary of Georges Méliès, de Chomón was often…
April 21, 2026
April 21, 2026
March 28, 2026
April 3, 2025
April 3, 2025